<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">philosophy</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ Серия «Философия. Социология. Искусствоведение»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6401</issn><issn pub-type="epub">2073-6401</issn><publisher><publisher-name>Russian State University for the Humanities (RSUH)</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">philosophy-13</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Античные истоки в орнаменте монументальных мозаичных ансамблей раннепалеологовской эпохи</article-title><trans-title-group xml:lang="en"><trans-title>Ancient sources of the ornamental patterns of monumental mosaic ensembles in Early Paleologan period</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Яковлева</surname><given-names>Мария Игоревна</given-names></name><name name-style="western" xml:lang="en"><surname>Yakovleva</surname><given-names>Maria</given-names></name></name-alternatives><email xlink:type="simple">iakovmi@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный гуманитарный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2015</year></pub-date><pub-date pub-type="epub"><day>14</day><month>03</month><year>2018</year></pub-date><volume>0</volume><issue>1</issue><fpage>139</fpage><lpage>150</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Яковлева М.И., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Яковлева М.И.</copyright-holder><copyright-holder xml:lang="en">Yakovleva M.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://philosophy.rsuh.ru/jour/article/view/13">https://philosophy.rsuh.ru/jour/article/view/13</self-uri><abstract><p>В статье рассматриваются взаимосвязи орнаментов, украшающих мозаики Кахрие джами, Фетхие джами (Константинополь) и церкви свв. Апостолов (Фессалоника) с орнаментальными мотивами, популярными в античную и раннехристианскую эпоху. Особенное внимание уделяется мозаичному убранству церкви свв. Апостолов, в котором трактовка орнаментальных мотивов носит чрезвычайно живописный, антикизирующий характер.</p></abstract><trans-abstract xml:lang="en"><p>The article deals with the ornamental patterns used in of the Kariye Camii (1316-1321) and the Fethiye Camii (c. 1315) in Constantinople, as well as the Church of the Holy Apostles in Thessaloniki (1310-1314).The study considers parallels between these motifs and the ornamental patterns which were popular in late antiquity and Early Christian period. The focus of much attention is the mosaic decoration of the Church of the Holy Apostles that is rendered with vivid realism and represents a high interest in antique heritage.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>раннепалеологовское искусство</kwd><kwd>монументальные мозаичные ансамбли</kwd><kwd>орнамент</kwd><kwd>Early Palaeologan art</kwd><kwd>monumental mosaic ensembles</kwd><kwd>ornament</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Лазарев В.Н. История византийской живописи. В 2 т. М.: Искусство, 1986. Т. 1. С. 159.</mixed-citation><mixed-citation xml:lang="en">Лазарев В.Н. История византийской живописи. В 2 т. М.: Искусство, 1986. Т. 1. С. 159.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Demus O. The Style of the Kariye Djami and its Place in the Development of Palaeologan Art // The Kariye Djami / Ed. by P.A. Underwood. Vol. 4. Studies in the Art of the Kariye Djami and Its Intellectual Background. Princeton, 1975. P. 110-111.</mixed-citation><mixed-citation xml:lang="en">Demus O. The Style of the Kariye Djami and its Place in the Development of Palaeologan Art // The Kariye Djami / Ed. by P.A. Underwood. Vol. 4. Studies in the Art of the Kariye Djami and Its Intellectual Background. Princeton, 1975. P. 110-111.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Nikonanos N. The Church of the Holy Apostles in Thessaloniki. Thessaloniki: Institute for Balkan Studies, 1998. P. 31.</mixed-citation><mixed-citation xml:lang="en">Nikonanos N. The Church of the Holy Apostles in Thessaloniki. Thessaloniki: Institute for Balkan Studies, 1998. P. 31.</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Harris C.M. Illustrated Dictionary of Historic Architecture. N. Y.: Dover Publications, 1977. P. 566.</mixed-citation><mixed-citation xml:lang="en">Harris C.M. Illustrated Dictionary of Historic Architecture. N. Y.: Dover Publications, 1977. P. 566.</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">Chatzidakis N. Byzantine Mosaics. Athens: Ekdotike Athenon S.A., 1994. P. 187, 214-218.</mixed-citation><mixed-citation xml:lang="en">Chatzidakis N. Byzantine Mosaics. Athens: Ekdotike Athenon S.A., 1994. P. 187, 214-218.</mixed-citation></citation-alternatives></ref><ref id="cit6"><label>6</label><citation-alternatives><mixed-citation xml:lang="ru">Bakirtzis Ch., Kourkoutidou-Nikolaidou E., Mavropoulou-Tsioumi Ch. Mosaics of Thessaloniki. 4th-14th century. Athens: Kapon Editions, 2012. P. 308.</mixed-citation><mixed-citation xml:lang="en">Bakirtzis Ch., Kourkoutidou-Nikolaidou E., Mavropoulou-Tsioumi Ch. Mosaics of Thessaloniki. 4th-14th century. Athens: Kapon Editions, 2012. P. 308.</mixed-citation></citation-alternatives></ref><ref id="cit7"><label>7</label><citation-alternatives><mixed-citation xml:lang="ru">Dunbabin K. Mosaics of the Greek and Roman World. Cambridge: Cambridge University Press, 1999. P. 6-7, 10.</mixed-citation><mixed-citation xml:lang="en">Dunbabin K. Mosaics of the Greek and Roman World. Cambridge: Cambridge University Press, 1999. P. 6-7, 10.</mixed-citation></citation-alternatives></ref><ref id="cit8"><label>8</label><citation-alternatives><mixed-citation xml:lang="ru">Fragment of the necking of a limestone column with meander decoration // The British Museum [Электронный ресурс]. URL: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=462543&amp;partId=1&amp;matcult=16102&amp;material=18381&amp;page=1 (дата обращения: 05.11.2014).</mixed-citation><mixed-citation xml:lang="en">Fragment of the necking of a limestone column with meander decoration // The British Museum [Электронный ресурс]. URL: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=462543&amp;partId=1&amp;matcult=16102&amp;material=18381&amp;page=1 (дата обращения: 05.11.2014).</mixed-citation></citation-alternatives></ref><ref id="cit9"><label>9</label><citation-alternatives><mixed-citation xml:lang="ru">Boardman J. Greek Sculpture: the Archaic Period. L.: Thames &amp; Hudson LTD., 2007. Fig. 155.</mixed-citation><mixed-citation xml:lang="en">Boardman J. Greek Sculpture: the Archaic Period. L.: Thames &amp; Hudson LTD., 2007. Fig. 155.</mixed-citation></citation-alternatives></ref><ref id="cit10"><label>10</label><citation-alternatives><mixed-citation xml:lang="ru">Chatzidakis N. Byzantine Art in Greece. Mosaics - Wall Paintings. Hosios Loukas. Athens: Melissa Publishing House, 1997. P. 34.</mixed-citation><mixed-citation xml:lang="en">Chatzidakis N. Byzantine Art in Greece. Mosaics - Wall Paintings. Hosios Loukas. Athens: Melissa Publishing House, 1997. P. 34.</mixed-citation></citation-alternatives></ref><ref id="cit11"><label>11</label><citation-alternatives><mixed-citation xml:lang="ru">Pappalardo U., Ciardiello R. Greek and Roman Mosaics. N. Y.: Abbeville Press, 2012. P. 144.</mixed-citation><mixed-citation xml:lang="en">Pappalardo U., Ciardiello R. Greek and Roman Mosaics. N. Y.: Abbeville Press, 2012. P. 144.</mixed-citation></citation-alternatives></ref><ref id="cit12"><label>12</label><citation-alternatives><mixed-citation xml:lang="ru">Chatzidakis M., Drandakis N., Zias N., Acheimastou-Potamianou M., Vasilaki-Karakatsani A. Byzantine Art in Greece. Mosaics - Wall Paintings. Naxos. Athens: Melissa Publishing House, 1989. P. 78-79.</mixed-citation><mixed-citation xml:lang="en">Chatzidakis M., Drandakis N., Zias N., Acheimastou-Potamianou M., Vasilaki-Karakatsani A. Byzantine Art in Greece. Mosaics - Wall Paintings. Naxos. Athens: Melissa Publishing House, 1989. P. 78-79.</mixed-citation></citation-alternatives></ref><ref id="cit13"><label>13</label><citation-alternatives><mixed-citation xml:lang="ru">Лазарев В.Н. Равеннские мозаики // Лазарев В.Н. Византийская живопись. М.: Наука, 1971. С. 51.</mixed-citation><mixed-citation xml:lang="en">Лазарев В.Н. Равеннские мозаики // Лазарев В.Н. Византийская живопись. М.: Наука, 1971. С. 51.</mixed-citation></citation-alternatives></ref><ref id="cit14"><label>14</label><citation-alternatives><mixed-citation xml:lang="ru">Bovini G. Ravenna. Art and History. Ravenna, 2008. P. 15, 112.</mixed-citation><mixed-citation xml:lang="en">Bovini G. Ravenna. Art and History. Ravenna, 2008. P. 15, 112.</mixed-citation></citation-alternatives></ref><ref id="cit15"><label>15</label><citation-alternatives><mixed-citation xml:lang="ru">Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century: Catalogue of the Exhibition at the Metropolitan Museum of Art, November 19, 1977, through February 12, 1978. N. Y.: The Metropolitan Museum of Art, 1979. P. 121.</mixed-citation><mixed-citation xml:lang="en">Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century: Catalogue of the Exhibition at the Metropolitan Museum of Art, November 19, 1977, through February 12, 1978. N. Y.: The Metropolitan Museum of Art, 1979. P. 121.</mixed-citation></citation-alternatives></ref><ref id="cit16"><label>16</label><citation-alternatives><mixed-citation xml:lang="ru">Hamlin A.D.F. A History of ornament, Ancient and Medieval. N. Y.: The Century Co., 1916. Fig. 180.</mixed-citation><mixed-citation xml:lang="en">Hamlin A.D.F. A History of ornament, Ancient and Medieval. N. Y.: The Century Co., 1916. Fig. 180.</mixed-citation></citation-alternatives></ref><ref id="cit17"><label>17</label><citation-alternatives><mixed-citation xml:lang="ru">Coltman V. Classical Sculpture and the Culture of Collecting in Britain since 1760. Oxford: Oxford University Press, 2009. P. 124-125.</mixed-citation><mixed-citation xml:lang="en">Coltman V. Classical Sculpture and the Culture of Collecting in Britain since 1760. Oxford: Oxford University Press, 2009. P. 124-125.</mixed-citation></citation-alternatives></ref><ref id="cit18"><label>18</label><citation-alternatives><mixed-citation xml:lang="ru">Кауфман С.А., Николаев И.С., Цирес А.Г., Блаватский В.Д. Всеобщая история архитектуры. В 2 т. T. 2. Кн. 2. М.: Изд-во акад. архитектуры СССР, 1948. Табл. 10, 11, 41.</mixed-citation><mixed-citation xml:lang="en">Кауфман С.А., Николаев И.С., Цирес А.Г., Блаватский В.Д. Всеобщая история архитектуры. В 2 т. T. 2. Кн. 2. М.: Изд-во акад. архитектуры СССР, 1948. Табл. 10, 11, 41.</mixed-citation></citation-alternatives></ref><ref id="cit19"><label>19</label><citation-alternatives><mixed-citation xml:lang="ru">Harris C.M. Dictionary of Architecture and Construction. N. Y.: McGraw-Hill, 2006. P. 582.</mixed-citation><mixed-citation xml:lang="en">Harris C.M. Dictionary of Architecture and Construction. N. Y.: McGraw-Hill, 2006. P. 582.</mixed-citation></citation-alternatives></ref><ref id="cit20"><label>20</label><citation-alternatives><mixed-citation xml:lang="ru">Соколов Г.И. Акрополь в Афинах. М.: Просвещение, 1968. Илл. 97.</mixed-citation><mixed-citation xml:lang="en">Соколов Г.И. Акрополь в Афинах. М.: Просвещение, 1968. Илл. 97.</mixed-citation></citation-alternatives></ref><ref id="cit21"><label>21</label><citation-alternatives><mixed-citation xml:lang="ru">Bakirtzis Ch. The Urban Continuity and Size of Late Byzantine Thessalonike // Dumbarton oaks Papers. 2004. № 57. P. 57-58.</mixed-citation><mixed-citation xml:lang="en">Bakirtzis Ch. The Urban Continuity and Size of Late Byzantine Thessalonike // Dumbarton oaks Papers. 2004. № 57. P. 57-58.</mixed-citation></citation-alternatives></ref><ref id="cit22"><label>22</label><citation-alternatives><mixed-citation xml:lang="ru">Makaronas C.J. The Arch of Galerius at Thessaloniki. Thessaloniki: Society of Macedonian Studies; Institute for Balkan Studies, 1970. Figs. 47-48.</mixed-citation><mixed-citation xml:lang="en">Makaronas C.J. The Arch of Galerius at Thessaloniki. Thessaloniki: Society of Macedonian Studies; Institute for Balkan Studies, 1970. Figs. 47-48.</mixed-citation></citation-alternatives></ref><ref id="cit23"><label>23</label><citation-alternatives><mixed-citation xml:lang="ru">Tsigaridas E. Latomu Monastery (The Church of Hosios David). Thessaloniki: Institute for Balkan Studies, 1998. P. 55-56.</mixed-citation><mixed-citation xml:lang="en">Tsigaridas E. Latomu Monastery (The Church of Hosios David). Thessaloniki: Institute for Balkan Studies, 1998. P. 55-56.</mixed-citation></citation-alternatives></ref><ref id="cit24"><label>24</label><citation-alternatives><mixed-citation xml:lang="ru">Underwood P.A. The Kariye Djami. N. Y., 1966. Vol. 2. P. 331-332.</mixed-citation><mixed-citation xml:lang="en">Underwood P.A. The Kariye Djami. N. Y., 1966. Vol. 2. P. 331-332.</mixed-citation></citation-alternatives></ref><ref id="cit25"><label>25</label><citation-alternatives><mixed-citation xml:lang="ru">Каптерева Т.П. Античная мозаика Испании и Португалии // Каптерева Т.П. Западное Средиземноморье: Судьбы искусства. М.: Прогресс-Традиция, 2010. С. 235.</mixed-citation><mixed-citation xml:lang="en">Каптерева Т.П. Античная мозаика Испании и Португалии // Каптерева Т.П. Западное Средиземноморье: Судьбы искусства. М.: Прогресс-Традиция, 2010. С. 235.</mixed-citation></citation-alternatives></ref><ref id="cit26"><label>26</label><citation-alternatives><mixed-citation xml:lang="ru">Deliyannis D.M. Ravenna in Late Antiquity. Cambridge: Cambridge University Press, 2010. P. 239.</mixed-citation><mixed-citation xml:lang="en">Deliyannis D.M. Ravenna in Late Antiquity. Cambridge: Cambridge University Press, 2010. P. 239.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
