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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">philosophy</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ Серия «Философия. Социология. Искусствоведение»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6401</issn><issn pub-type="epub">2073-6401</issn><publisher><publisher-name>Russian State University for the Humanities (RSUH)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2073-6401-2019-1-87-97</article-id><article-id custom-type="elpub" pub-id-type="custom">philosophy-243</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСКУССТВОВЕДЕНИЕ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ART STUDIES</subject></subj-group></article-categories><title-group><article-title>Перцепция и рецепция в теории искусства</article-title><trans-title-group xml:lang="en"><trans-title>Perception and reception in the theory of art</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Филиппов</surname><given-names>С. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Filippov</surname><given-names>S. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Сергей А. Филиппов, кандидат искусствоведения</p><p>125009, Россия, Москва, Моховая ул., д. 9, стр. 1;</p></bio><bio xml:lang="en"><p>Sergei A. Filippov, Cand of Sci. (Art studies)</p><p>bldg. 1, bld. 9, Mokhovaya Str., Moscow, Russia, 125009</p></bio><email xlink:type="simple">s_a_filippov@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Московский государственный университет имени М.В. Ломоносова</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Lomonosov Moscow State University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>10</day><month>10</month><year>2019</year></pub-date><volume>0</volume><issue>1</issue><fpage>87</fpage><lpage>97</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Филиппов С.А., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Филиппов С.А.</copyright-holder><copyright-holder xml:lang="en">Filippov S.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://philosophy.rsuh.ru/jour/article/view/243">https://philosophy.rsuh.ru/jour/article/view/243</self-uri><abstract><p>Известно, что человек вообще и психика в частности состоят как из врожденных, так и из приобретенных элементов. Поэтому всё, что мы делаем – не исключая искусство и коммуникацию, – определяется либо первыми, либо вторыми факторами. Однако в науках об искусстве это традиционно либо не учитывается, либо учитывается в недостаточной степени. Такой недоучет нестрашен в филологии, но в науке о визуальных искусствах, глубоко укорененных в особенностях зрительного восприятия, он может вести к существенным теоретическим потерям. Поэтому в искусствоведении имеет смысл систематически различать особенности искусства, опирающиеся на врожденные аспекты восприятия (перцепцию) и на приобретенные (рецепцию).</p></abstract><trans-abstract xml:lang="en"><p>It is known that a man in general and the psyche in particular consist of both the innate and acquired elements. Therefore, everything that we do – including the art and communication – is determined either by the first or second factors. However, in the studies of art, that is usually either not taken into account or not taken into account sufficiently. Such undercount doesn’t make problems in philology, but in the studies on the visual arts, that are deeply rooted in the peculiarities of visual perception, it can lead to significant theoretical losses. Therefore, in art studies, it makes good sense to systematically distinguish between the features of art, based on the innate aspects of perception (perception) and on acquired aspects (reception).</p></trans-abstract><kwd-group xml:lang="ru"><kwd>теория искусства</kwd><kwd>культурно-биологический дуализм</kwd><kwd>искусство и язык</kwd><kwd>перцепция и рецепция</kwd><kwd>когнитивная теория искусства</kwd></kwd-group><kwd-group xml:lang="en"><kwd>art theory</kwd><kwd>nature/culture dualism</kwd><kwd>art and language</kwd><kwd>perception and reception</kwd><kwd>cognitive theory of art</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Лоренц К. 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