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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">philosophy</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ Серия «Философия. Социология. Искусствоведение»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6401</issn><issn pub-type="epub">2073-6401</issn><publisher><publisher-name>Russian State University for the Humanities (RSUH)</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">philosophy-33</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Иконография женской процессии в капелле Исхода (некрополь Эль-Багават, Египет). Источники и параллели</article-title><trans-title-group xml:lang="en"><trans-title>The iconography of the female procession scene in the Chapel of the Exodus from Al-Bagawat necropolis in Egypt: sources and parallels</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Куватова</surname><given-names>Валерия Зуфаровна</given-names></name><name name-style="western" xml:lang="en"><surname>Kuvatova</surname><given-names>Valeria</given-names></name></name-alternatives><email xlink:type="simple">kintosha@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный гуманитарный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2016</year></pub-date><pub-date pub-type="epub"><day>14</day><month>03</month><year>2018</year></pub-date><volume>0</volume><issue>1</issue><fpage>18</fpage><lpage>28</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Куватова В.З., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Куватова В.З.</copyright-holder><copyright-holder xml:lang="en">Kuvatova V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://philosophy.rsuh.ru/jour/article/view/33">https://philosophy.rsuh.ru/jour/article/view/33</self-uri><abstract><p>Статья посвящена особенностям иконографии сцены процессии женщин, входящей в живописный ансамбль так называемой «капеллы Исхода» (раннехристианского мавзолея IV в. из некрополя Эль-Багават в египетском оазисе Харга). Специфика изображения позволяет сопоставлять его с рядом других, иконографически близких, раннехристианских композиций, но находящихся в другом географическом и историческом контексте. На основании предложенных сопоставлений можно также ставить вопрос об общем происхождении иконографии этих сцен.</p></abstract><trans-abstract xml:lang="en"><p>The paper tries to analyse and reconstruct the iconography of the female procession scene in the painting ensemble of the so called “Chapel of the Exodus” (Early Christian mausoleum from Al-Bagawat necropolis in the Egyptian oasis of Kharga, IV AD). The features of the image allow to match it to a big range of Early Christian procession scenes, with similar iconography, but from the other epochs and regions. This comparison allows to suggest the common source of this type of iconography.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>раннехристианская живопись</kwd><kwd>капелла Исхода</kwd><kwd>раннехристианское погребальное искусство</kwd><kwd>сцена процессии</kwd><kwd>Early Christian painting</kwd><kwd>Chapel of the Exodus</kwd><kwd>Early Christian funerary art</kwd><kwd>procession scene</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Бок В.Г. Материалы по археологии христианского Египта. СПб., 1901. С. 23.</mixed-citation><mixed-citation xml:lang="en">Бок В.Г. Материалы по археологии христианского Египта. СПб., 1901. С. 23.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Grabar A. La fresque des saintes femmes au tombeau à Doura // Cahiers Archéologiques. 1956. Vol. 8. 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