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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">philosophy</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ Серия «Философия. Социология. Искусствоведение»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6401</issn><issn pub-type="epub">2073-6401</issn><publisher><publisher-name>Russian State University for the Humanities (RSUH)</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">philosophy-6</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Миланская скапильятура: к вопросу о межнациональных культурных связях</article-title><trans-title-group xml:lang="en"><trans-title>The Milanese Scapigliatura: revisiting the intercultural experience</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Седова</surname><given-names>Татьяна Ивановна</given-names></name><name name-style="western" xml:lang="en"><surname>Sedova</surname><given-names>Tatiana</given-names></name></name-alternatives><email xlink:type="simple">Tatiana.Sedova@fox.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный гуманитарный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2015</year></pub-date><pub-date pub-type="epub"><day>14</day><month>03</month><year>2018</year></pub-date><volume>0</volume><issue>1</issue><fpage>64</fpage><lpage>72</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Седова Т.И., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Седова Т.И.</copyright-holder><copyright-holder xml:lang="en">Sedova T.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://philosophy.rsuh.ru/jour/article/view/6">https://philosophy.rsuh.ru/jour/article/view/6</self-uri><abstract><p>В статье рассматриваются предпосылки и обстоятельства возникновения миланской скапильятуры - социально-политического и культурно-художественного неформального объединения итальянской творческой интеллигенции второй половины XIX века. Отдельное внимание уделяется влиянию различных тенденций европейской национальной художественной культуры на эстетику скапильятуры, определяется ее значение для искусства ХХ столетия.</p></abstract><trans-abstract xml:lang="en"><p>The article covers such subjects as prerequisites and circumstances for the Milanese Scapigliatura to be shaped as a social-political and artistic informal group of the Italian intellectuals in the end of 19th century; influence of some trends of European national culture and arton Scapigliatura esthetics; its importance for the art of 19th century.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>скапильятура</kwd><kwd>протест</kwd><kwd>богема</kwd><kwd>Вагнер</kwd><kwd>синтез искусств</kwd><kwd>романтизм</kwd><kwd>изобразительные искусства</kwd><kwd>Scapigliatura</kwd><kwd>protest</kwd><kwd>bohemia</kwd><kwd>Wagner</kwd><kwd>synthesis of arts</kwd><kwd>romanticism</kwd><kwd>figurative arts</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Farinellli G. 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P. 26.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
