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On the cycling character of the theatre art directing development (from “Thaw” till the beginning of the XXI century)

Abstract

The article raises an issue of the relevance in approaching the art development, especially the theatre one, in terms of the theory of cycles. A number of researches (with such remarkable persons as N. Danilevsky, O. Spengler, P. Sorokin among them) adhered to that theory. It allows to conceptualize the process of changes of the theatre directing art during generations as a whole, with some common eventas the beginning and sum of development tendencies as the end. This end breaks initial intentions, thus bringing art directing to the start of the new cycle.

About the Author

Polina Bogdanova
Russian State University for the Humanities
Russian Federation


References

1. Данилевский Н.Я. Россия и Европа. М., 2011. С. 134.

2. Шпенглер О. Образ и действительность // Шпенглер О. Закат Западного мира. М.: Альфа-книга, 2014. С. 27.

3. Александрова Е. Место искусства в теории культурно-исторических циклов О. Шпенглера // Освальд Шпенглер. Закат Европы [Электронный ресурс]. URL: http://oswald-spengler.narod.ru/monster.htm (дата обращения: 24.06.2015).

4. Хренов Н.А. Смена поколений в границах культуры модерна: надежды, иллюзии, реальность // Поколение в социокультурном контексте ХХ века / Отв. ред. Н.А. Хренов. М.: Наука, 2005. С. 21.


Review

For citations:


Bogdanova P. On the cycling character of the theatre art directing development (from “Thaw” till the beginning of the XXI century). RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2015;(2):100-106. (In Russ.)

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ISSN 2073-6401 (Print)
ISSN 2073-6401 (Online)