Creativity as a fractal algorithm in the art theory of V. Kandinsky
Abstract
The article discusses theoretical conceptions of V. Kandinsky to create graphical and picture compositions, expressed in his “Point and Line to Plane”. It is proved, that Kandinsky constituted the system of principles of the construction of artistic compositions, that supposes extreme spatial complexity, and that creative methods and means described by him, viewed through the fractals theory, assign programs and algorithms of fractal multitudes. The fractal character of the pictures and graphics is seminal for maximized impact on the viewer. Algorithms and mathematical models of creativity, declared by Kandinsky as its strategy, are possible only as fractals in art.
References
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Review
For citations:
Anisimova E. Creativity as a fractal algorithm in the art theory of V. Kandinsky. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2015;(1):9-18.
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