Preview

RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies

Advanced search

The iconography of the female procession scene in the Chapel of the Exodus from Al-Bagawat necropolis in Egypt: sources and parallels

Abstract

The paper tries to analyse and reconstruct the iconography of the female procession scene in the painting ensemble of the so called “Chapel of the Exodus” (Early Christian mausoleum from Al-Bagawat necropolis in the Egyptian oasis of Kharga, IV AD). The features of the image allow to match it to a big range of Early Christian procession scenes, with similar iconography, but from the other epochs and regions. This comparison allows to suggest the common source of this type of iconography.

About the Author

Valeria Kuvatova
Russian State University for the Humanities
Russian Federation


References

1. Бок В.Г. Материалы по археологии христианского Египта. СПб., 1901. С. 23.

2. Grabar A. La fresque des saintes femmes au tombeau à Doura // Cahiers Archéologiques. 1956. Vol. 8. P. 9-26.

3. Cipriani G. El-Bagawat. Un cimitero paleocristiano nell’alto Egitto. Todi: Tau, 2008. P. 154-155.

4. Stern H. Les peintures du mausolée “de L’Exode” à El-Bagaouat // Cahiers Archéologiques. 1960. Vol. 11. P. 106.

5. Thérel M.T. La composition et le symbolism de l’iconographie du mausolée de l’Exode à el’Bagawat // Rivista di Archaeologia Cristiana. 1969. Vol. 45. P. 269.

6. Davis S.J. The Cult of Saint Thecla: A Tradition of Women’s Piety in Late Antiquity. Oxford: Oxford University Press, 2001. P. 161.

7. Schwartz J. Nouvelles études sur des fresques d’El-Bagawat // Cahiers Archéologiques. 1962. Vol. 13. P. 3.

8. Zibawi M. L’oasi egiziana di Bagawat. Le pitture paleocristiane. Milano: Jaca Book, 2005. P. 71.

9. Martin M.J. observations on the Paintings of the Exodus Chapel, Bagawat Necropolis, Kharga oasis, Egypt // Byzantine Narrative. Papers in Honor of Roger Scott / Ed. by J. Burke. Melbourne: Australian Association for Byzantine Studies, 2006. P. 248-249.

10. Grabar A. Early Christian art: From the rise of Christianity to the death of Theodosius. N. Y.: Odyssey Press, 1968. Pl. 46.

11. Delehaye H. La passion de saint Théodote d’Ancyre // Analecta Bollandiana. 1903. T. 22. P. 320-328.

12. Millet G. Doura et el-Bagawat. La parabole des vierges // Cahiers Archéologiques. 1956. Vol. 8. P. 3-8.

13. Peppard M. Illuminating the Dura-Europos Baptistery: Comparanda for the Female Figures // Journal of the Early Christian Studies. 2012. Vol. 20. № 4. P. 560-563.

14. Weitzmann K. The Illustration of the Septuagint // Studies in Classical and Byzantine Manuscript Illumination / Ed. by H.L. Kessler. Chicago; L., 1971. P. 69-75.

15. Bisconti F. Il restauro dell’ipogeo di via Dino Compagni. Nuove idee per la lettura del programma decorativo del cubicolo A. Città del Vaticano, 2003. P. 78.

16. Warton A.J. Refiguring the Post Classical City. Dura Europos, Jerash, Jerusalem and Ravenna. Cambridge: Cambridge University Press, 1995. P. 54.

17. Мещерская Е.Н. Апокрифические деяния апостолов. Новозаветные апокрифы в сирийской литературе. М.: Присцельс, 1997. С. 258-260.

18. Elliott J.K. The Apocryphal New Testament. A Collection of Apocryphal Christian Literature in an English Translation Based on M.R. James. Oxford: Clarendon Press, 2005. P. 504-505.


Review

For citations:


Kuvatova V. The iconography of the female procession scene in the Chapel of the Exodus from Al-Bagawat necropolis in Egypt: sources and parallels. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2016;(1):18-28. (In Russ.)

Views: 191


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6401 (Print)
ISSN 2073-6401 (Online)