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Psychoanalytic kinesics aspects and the role of visual topos in the methodology of the studies of Art in the end of XIX-XX centuries

Abstract

The article traces the history of interest of art researchers to preverbal communicative kinesics function, its connection to the collective unconscious and cultural archetype. The author shows how directly or indirectly, art historians and psychologists of the end of the XIX and XX centuries came to an idea of fundamental connection of the collective unconscious and cultural archetype to traditions of stylistic development, and image-bearing evolution of the spatial arts. The article outlines the main ways of interpreting kinesics and visual topos in the theoretical and methodological conceptions of the art studies in the end of XIX and of the XX centuries.

About the Author

Lyudmila Limanskaya
Russian State University for the Humanities
Russian Federation


References

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For citations:


Limanskaya L. Psychoanalytic kinesics aspects and the role of visual topos in the methodology of the studies of Art in the end of XIX-XX centuries. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2016;(1):29-37. (In Russ.)

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ISSN 2073-6401 (Print)
ISSN 2073-6401 (Online)