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Creative intelligentsia as an actualizer of the social contract. The experience of cinematography

https://doi.org/10.28995/2073-6401-2024-4-171-180

Abstract

The article is aimed at studying the interaction of music and cinema as a mechanism for actualizing the social contract in modern society. The article analyzes the bilateral relations between society and cinematography, considering how music enhances the socio-political message of films and, in turn, how cinema affects the formation of public consciousness. Attention will also be paid to the collaboration between the composer and the director, which largely determines how audiovisual products can reflect and shape the current needs of society.

About the Author

D. A. Tsapko
Russian State University for the Humanities
Russian Federation
Demian A. Tsapko, postgraduate student  bld. 6, Miusskaya Square, Moscow, 125047


References

1. Eisenstein, S.M. (1964), “The future of sound films. Claim”, Eisenstein, S.M. Izbrannye proizvedeniya: V 6 t. [Selected works in 6 volumes], vol. 2, Iskusstvo, Moscow, Russia, pp. 315–316

2. Habermas, J. (1992) “The philosophical dispute around the idea of democracy (Lecture two)”, Habermas, J. Demokratiya. Razum. Nravstvennost’ [Democracy. The mind. Morality], Nauka, Moscow, Russia, pp. 31–55.

3. Lissa, Z. (1970), Estetika kinomuzyki [Aesthetics of film music], Zelenina, A.O. and Karavkina, D.L. (tranl.), Iskusstvo, Moscow, Russia.

4. McLuhan, M. (2007), Ponimanie media: vneshnie rasshireniia cheloveka [Understanding media. The Externtions of Man], Kuchkovo pole, Moscow, Russia.

5. Shostakovich, D.D. (1954), “Once again about film music”, Iskusstvo kino, no. 1, pp. 85– 89.

6. Toshchenko, Zh.T. (2023), “The social contract: the evolution of ideas”, Gorshkov, M.K. (ed.), Rossiya reformiruyushchayasya: Ezhegodnik. Vyp. 21 [Reforming Russia. Yearbook, iss. 21], FNISTs RAN, pp. 98–121.

7. Tsapko, D.A. (2024), “Music in cinema as a tool for the formation of the spiritual world”, Obshchestvennyi dogovor: formy uchastiya intelligentsii v ego realizatsii v Rossii [Social contract. Forms of participation of the intelligentsia in its implementation in Russia], RGGU, Moscow, Russia, pp. 121–130.


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For citations:


Tsapko D.A. Creative intelligentsia as an actualizer of the social contract. The experience of cinematography. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2024;(4):171-180. (In Russ.) https://doi.org/10.28995/2073-6401-2024-4-171-180

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ISSN 2073-6401 (Print)
ISSN 2073-6401 (Online)