PHILOSOPHY. HISTORY OF PHILOSOPHY
SOCIOLOGY: THEORETICAL AND EMPIRICAL RESEARCHES
The article describes the situation in the field of public policy and state-confessional relations, not only in the socio-cultural context, but also in the socio-political, legal, and confessional. The article analyzes confessional identity, which is becoming one of the main parameters of the modern political process and affecting the specifics of political institutions and systems. The independence of citizens from worldview preferences revealed during the monitoring sociological studies showed a relative unity of opinions about the images of the future and did not reveal irreconcilable contradictions between followers of different confessions, demonstrating sustainable value development.
The article considers such public policy instruments as: populism, Euroscepticism, etc., used by religious confessions and their leaders in their activities. They advocate the protection of democratic values and basic human rights. Meanwhile, the growing degree of radicalization in the religious environment can lead to conflicts and temporary destabilization of society.ART STUDIES
The article considers the change in the social status of the architect Aristotele Fioravanti in the period from 1437 to 1473. One of the main features of the pre-Moscow period in his activities was the transformation of the old type professionalism.
The author of the article studies the context of humanism in the 15th century, in the atmosphere of which the contacts of Fioravanti with his patrons and architects took place.
Special attention is paid to the showing up of Fioravanti’s career lines. and the hypothesis regarding his plans to end the career. The author found out that in Bologna Fioravanti took place as a guild master, in Rome the lifting superheavy parts was defined as his specialization, in Italy he gained fame as “the man who moves towers”, but he could not achieve the title of a learned architect.The article considers the phenomenon of the gravestone portrait as a structural element of funerals within the Sarmatyzm culture. It studies the main types of tombstone portraits and the materials on which they were made.
The author tells that the tradition of making and fixing tombstone portraits originates from an ancient ritual about the participation of a double of a deceased person. It is noted that the tombstone portraits were nailed to the end of the coffin and was directed in such a way that it was visible to all participants of the funeral procession. Special attention was paid to the decoration and decoration of the tombstone portrait, and the figures of angels acted as decorations. In this regard, the church service was conducted being focused directly on the tombstone portrait. The conclusion is formulated that the gravestone portrait personified the deceased in the funeral procession.ISSN 2073-6401 (Online)