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Towards the problem of “open” texts on stage: the performances “An Actress is Needed to Play a Dramatic Part (The Forest)” and “The Last Concert But One of Alice in Wonderland” by Yury Pogrebnichko

Abstract

The author of the article attempts to apply research tools of Umber-to Eco (“M-spectator” by analogy with “M-reader”, open and covered text, the concept “discontinuity”) for the analysis at the performances by Yury Pogrebnichko. The hypothesis is that the performances “An Actress is Needed to Play a Dramatic Part (The Forest)” and “The Last Concert of Alice in Wonderland” are examples of open texts on stage.

About the Author

Galina Shmatova
Russian State University for the Humanities; Moscow Art Theatre School
Russian Federation


References

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5. Бояджиев Г., Дживелегов А. История западноевропейского театра от возникновения до 1789 года. М.; Л., 1941. С. 103.

6. Смирнов А. Английский театр в эпоху Шекспира // Очерки по истории европейского театра. СПб., 1923. С. 177.

7. Погребничко Ю. Театр, может, штука и никчемная, но какая-то легкая… Как цветы // Afisha.ru [Электронный ресурс]. URL: http://vozduh.afisha.ru/art/teatr-mozhet-shtuka-i-nikchemnaya-no-kakayato-legkaya-nu-kak-cvety/ (дата обращения: 17.12.2014).


Review

For citations:


Shmatova G. Towards the problem of “open” texts on stage: the performances “An Actress is Needed to Play a Dramatic Part (The Forest)” and “The Last Concert But One of Alice in Wonderland” by Yury Pogrebnichko. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2015;(1):120-129. (In Russ.)

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ISSN 2073-6401 (Print)
ISSN 2073-6401 (Online)