Features of composition in the art of children’s books by Arthur Rackham
https://doi.org/10.28995/2073-6401-2020-3-131-149
Abstract
About the Author
A. О. BelskayaRussian Federation
Anna O. Belskaya, applicant
bld. 17, Universitetskaya Emb., Saint Petersburg, 199034
References
1. Addison, A. (1967), Romanticism and the Gothic Revival. New York, USA.
2. Aldrich, M. (1994),The Gothic Revival. London, UK.
3. Bradley, S. (2002), “The Englishness of Gothic: Theories and Interpretations from William Gilpin to J.H. Parker”, Architectural History, vol. 45, pp. 325–346.
4. Brooks, C. (1999), The Gothic Revival, London, UK.
5. Clark, K. (1974), The Gothic Revival, An Essay in the History of Taste, London, UK.
6. Dubina, N. (2004), Zakonomernosti kompozitsii knizhnogo oformleniya [Patterns of book design composition], available at: URL: http://www.i-type.ru/bookcomp.html/ (accessed 12 September 2020).
7. Fiver, W. (1979), Kogda my byli det’mi: dva veka knizhnoi illyustratsii dlya detei [When we were children. Two centuries of book illustration for children], Sovetskii khudozhnik, Moscow, USSR.
8. Lewis, M. (2002), The Gothic Revival, London, UK.Shvidkovsky, D. (2002), “The Classic and the Gothic. Oxford metamorphoses in the 17th and 18th centuries”, Proyekt klassika [The Classics project]. V. MMII, available at: http://projectclassica.ru/ travel/05_2002/05_01b_travel.htm (Accessed 10 September 2020).
Review
For citations:
Belskaya A.О. Features of composition in the art of children’s books by Arthur Rackham. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2020;(3):131-150. (In Russ.) https://doi.org/10.28995/2073-6401-2020-3-131-149