The structure of Russian film festivals during the pandemic
https://doi.org/10.28995/2073-6401-2022-3-96-104
Abstract
The article covers the current situation with Russian film festivals. The author has developed a typology of film festivals, which contributed to the development of criteria for collecting up-to-date information about such festivals and creating a fresh database. It describes the social profile of the Russian film festival movement indicating the number of active festivals divided by different types along with the dynamics of their growth / decrease from 2019 to 2021. The author provides with a detailed description of the types and subtypes of movie festivals and categorizes them by the level of importance for filmmakers from various spheres as well as by the principles of their business operation and functioning.
Another focus of the article is on the structure of the Russian festival movement and the dynamics of its change over the last three years together with certain adaptation strategies. In the last part of the article the author shows the analysis of the prominent filmmakers‘ opinions about the role of film festivals for the audience and for the industry.
About the Author
A. I. Ryseva
Bojole Research
Russian Federation
Russian Federation
Aleksandra I. Ryseva
bldg. 1, bld. 22/24, Ozerkovskaya Embankment, Moscow, 115184
References
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Review
For citations:
Ryseva A.I. The structure of Russian film festivals during the pandemic. RSUH/RGGU BULLETIN. Series Philosophy. Social Studies. Art Studies. 2022;(2):96-104. (In Russ.) https://doi.org/10.28995/2073-6401-2022-3-96-104
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