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| Issue |
Title |
| |
| No 2 (2015) |
On the cycling character of the theatre art directing development (from “Thaw” till the beginning of the XXI century) |
Abstract
PDF (Rus)
|
|
Polina Bogdanova |
| |
| No 2 (2015) |
Defining horror genre based on Rick Altman genre theory |
Abstract
PDF (Rus)
|
|
Alexey Ionov |
| |
| No 2 (2015) |
A synthesis of the expressive means of the documentary TV and experimental documentary cinematography in Canada of 1950-1960s |
Abstract
PDF (Rus)
|
|
Maxim Kazyuchits |
| |
| No 2 (2015) |
Compositional role of the landscape in Russian icon of the second half of the XVII century and the first third of the XVIII century |
Abstract
PDF (Rus)
|
|
Svetlana Kiryanova |
| |
| No 2 (2015) |
“Synthetic” compositions in Romanesque art and the first Gothic program of abbot Suger |
Abstract
PDF (Rus)
|
|
Elena Khripkova |
| |
| No 2 (2015) |
The ontology of the cinema and ontology of sound recording |
Abstract
PDF (Rus)
|
|
Sergey Schtein |
| |
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