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| Issue |
Title |
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| No 4 (2024) |
Foreigners about portrait images in Muscovy, their appearance and existence |
Abstract
PDF (Rus)
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V. D. Chernyy |
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| No 4 (2024) |
Antiquity as the absolute model of art and style. Architecture, interior decor and furniture. From Baroque to Neoclassicism |
Abstract
PDF (Rus)
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B. L. Shapiro |
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| No 4 (2024) |
Sarah Bernhardt in sculptural self-portraits and works of sculptors – her contemporaries |
Abstract
PDF (Rus)
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T. E. Kem |
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| No 2 (2024) |
Vasomania in early Vincennes-Sèvres: style, color and shape. From Rococo to Neoclassicism |
Abstract
PDF (Rus)
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B. L. Shapiro |
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| No 2 (2024) |
Mounting and dismounting. About the series of illustrations by Yuri Rozhkov for the poem by Vladimir Mayakovsky “To the Workers of Kursk Who mined the First Ore” |
Abstract
PDF (Rus)
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A. N. Fomenko |
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| No 2 (2024) |
Augmented reality technology based on projections in the film “Variations on Pomegranate” (1975) by J. Val del Omar |
Abstract
PDF (Rus)
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O. V. Kolotvina |
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| No 2 (2024) |
‘Poor Things’ by Y. Lanthimos. Faust in a puppet town |
Abstract
PDF (Rus)
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A. V. Markov, O. A. Shtayn |
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| No 2 (2024) |
‘Poor Things’ by Y. Lanthimos as an involuntary postmodern adaptation of Nikolai Chernyshevsky’s novel ‘What is to be done?’ |
Abstract
PDF (Rus)
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S. M. Voloshina |
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| No 2 (2024) |
At the origin of the theory of the French garden. Treatises by Olivier de Serres (1600) and Jacques Boysseau de la Barodrie (1638) |
Abstract
PDF (Rus)
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B. M. Sokolov |
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| No 1 (2024) |
The Hero under the walls of the fortress. On the question of the visual representation of Ramesses II in the Battle of Kadesh |
Abstract
PDF (Rus)
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Yu. S. Reunov |
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| No 1 (2024) |
“Jubilation for the court official”. Scenes of the official’s return after being awarded in the decoration system of private tombs dated back to the new kingdom of Ancient Egypt |
Abstract
PDF (Rus)
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E. S. Ershova |
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| No 1 (2024) |
Two Alanian compositions of the 9th-10th centuries with the anthropomorphic personages from Ingushetia |
Abstract
PDF (Rus)
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S. A. Yatsenko |
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| No 1 (2024) |
Art criticism self-definition of Russian formalists |
Abstract
PDF (Rus)
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N. A. Khrenov |
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| No 1 (2024) |
Methodological manuals of the 1960–1980s as a reflection of the principles of the pedagogical system of the N.K. Krupskaya Extramural People University of Arts |
Abstract
PDF (Rus)
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V. V. Avdeeva |
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| No 4 (2023) |
The legacy of V.Ya. Propp, film studies and cinematic identity |
Abstract
PDF (Rus)
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V. A. Kolotaev |
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| No 4 (2023) |
Dynamics of the cinematic image in the perception of the eastern branch of the Russian emigration |
Abstract
PDF (Rus)
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A. A. Arustamova, A. V. Markov |
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| No 4 (2023) |
“Oppenheimer” by K. Nolan. Poetics and rhetoric of action |
Abstract
PDF (Rus)
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O. A. Bratina, A. V. Markov |
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| No 4 (2023) |
Painting by Hieronymus Bosch in Russian Internet memes |
Abstract
PDF (Rus)
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A. G. Sherstneva |
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| No 3 (2023) |
Transformation of the natural motif as a method of shaping the ornament of the down shawl of the Orenburg region |
Abstract
PDF (Rus)
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A. A. Vasilchenko |
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| No 3 (2023) |
Images of buffoons and fools in Russian cinema |
Abstract
PDF (Rus)
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O. A. Bratina |
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| No 3 (2023) |
Interpretation of mechanisms of life creation in the Russian theater of the 21st century |
Abstract
PDF (Rus)
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L. F. Salimova |
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| No 1 (2023) |
Organization of sacred landscape and architectural planning of Oceanic Peoples |
Abstract
PDF (Rus)
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K. V. Babaev |
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| No 1 (2023) |
Philosophical and ideological aspects of the decorative program of the Beit el-Wali temple |
Abstract
PDF (Rus)
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Yu. S. Reunov |
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| No 3 (2022) |
The emergence of art criticism in France in the second half of the 17th and the first half of the 18th century |
Abstract
PDF (Rus)
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E. E. Agratina |
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| No 3 (2022) |
Foreigners’ perception of Russian artwork in the 16th–17th centuries |
Abstract
PDF (Rus)
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V. D. Chernyi |
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| No 3 (2022) |
The Heroes and Nonentities, or Television versus sculpture. Yerbossyn Meldibekov’s visual anthropology |
Abstract
PDF (Rus)
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A. N. Fomenko |
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| No 2 (2022) |
Dürer in Memling’s workshop |
Abstract
PDF (Rus)
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E. A. Zabrodina |
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| No 2 (2022) |
Features of the industrial architecture of the Ural factories in the age of classicism |
Abstract
PDF (Rus)
|
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D. E. Nifontov |
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| No 2 (2022) |
Associative montage as a tool of the author’s intention in the film “Water-Mirror of Granada” (1955) by J. Val del Omar |
Abstract
PDF (Rus)
|
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O. V. Kolotvina |
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| No 1 (2022) |
Costumed images à la turque in Russian painting of the 18th century |
Abstract
PDF (Rus)
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A. A. Gorbunova, R. A. Timofeeva |
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| No 1 (2022) |
Orsk jasper (jashma) as an object of ecology of culture of Orenburg |
Abstract
PDF (Rus)
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A. A. Vasil’chenko |
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| No 4 (2021) |
Clarifying the existence of the workshop of Hans Holbein the Younger during his periods of work in England |
Abstract
PDF (Rus)
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S. M. Borovikova |
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| No 4 (2021) |
The social position of the architect Aristotele Fioravanti in his Pre-Moscow period |
Abstract
PDF (Rus)
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A. V. Zabelin |
| |
| No 4 (2021) |
The phenomenon of the gravestone portrait in Polish sarmatism |
Abstract
PDF (Rus)
|
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E. A. Moon |
| |
| No 4 (2021) |
Three decades of adaptation for five classics. Book review: Fedorova, L. (2022). Cinema adaptation as a symptom. Russian classical literature screened in Post-Soviet time |
Abstract
PDF (Rus)
|
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A. V. Markov |
| |
| No 3 (2021) |
The image of mother with child in art of Vigee Le Brun during her stay in Russia |
Abstract
PDF (Rus)
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I. A. Abramkin |
| |
| No 3 (2021) |
Art exhibitions in the 18th century Paris |
Abstract
PDF (Rus)
|
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E. E. Agratina |
| |
| No 3 (2021) |
On the question of the relationship between the theory of circular motion, chiaroscuro and the theory of vision by Leonardo da Vinci |
Abstract
PDF (Rus)
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L. Yu. Limanskaya |
| |
| No 2 (2021) |
From the history of the foundation of the imperial academy of painting during the Qing dynasty |
Abstract
PDF (Rus)
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N. G. Surayeva |
| |
| No 2 (2021) |
Theatrical post-corporeity. Digitizing the body in a new culture of social interactions |
Abstract
PDF (Rus)
|
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L. F. Salimova |
| |
| No 2 (2021) |
The architectural monument to Dante Alighieri and to the “Divine Comedy” by the artist Cesare Laurenti |
Abstract
PDF (Rus)
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|
I. B. Emel’yanova |
| |
| No 1 (2021) |
Iconography of liturgical compositions in the painting program of the Кronstadt St. Nicholas Naval Cathedral |
Abstract
PDF (Rus)
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A. Burganov |
| |
| No 1 (2021) |
Tragic humanism traits in the Soviet monumental art of the 1940s |
Abstract
PDF (Rus)
|
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T. G. Malinina |
| |
| No 4 (2020) |
Typological characteristics of ceremonial and chamber image in the Russian portrait painting of 18th century |
Abstract
PDF (Rus)
|
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I. A. Abramkin |
| |
| No 4 (2020) |
I.V. Zholtovsky’s early works as a special case of constructing the classics during the modernist era |
Abstract
PDF (Rus)
|
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I. E. Pechenkin |
| |
| No 3 (2020) |
Speculative modeling as a methodological technique for identifying the representation principles of worldview ideas in the medieval cartography illumination |
Abstract
PDF (Rus)
|
|
Е. V. Krevchenko |
| |
| No 3 (2020) |
Features of composition in the art of children’s books by Arthur Rackham |
Abstract
PDF (Rus)
|
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A. О. Belskaya |
| |
| No 3 (2020) |
Features of the painted portraits of Rabindranath Tagore. Iconography and symbolism |
Abstract
PDF (Rus)
|
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V. V. Demenova, A. M. Loginova |
| |
| No 2 (2020) |
“The Englishness” in I.V. Zholtovsky’s architecture. Horseracing society house |
Abstract
PDF (Rus)
|
|
I. E. Pechenkin |
| |
| No 2 (2020) |
Exhibition as a genre of plastic art: “Dior” |
Abstract
PDF (Rus)
|
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M. T. Maistrovskaya |
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